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Courses→The Art of Stillness
LESSON 9 OF 1450 min
Remembrance, Ecstasy, and the Path of Love

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The Remembrance of God

Sufism is the mystical side of Islam. It is the tradition within the tradition that seeks not just to follow God's laws but to merge with God's presence directly, in this life, in this body, in this breath. The central practice of nearly every Sufi order is dhikr, Arabic for 'remembrance': repeating divine names or phrases out loud or silently, most often 'La ilaha illa Allah' (There is no god but God) or simply 'Allah.' The practice comes from a verse in the Quran: 'Verily, in the remembrance of God do hearts find rest' (13:28). Dhikr can be silent (khafi) or aloud (jahri), alone or in a group, with or without rhythmic breathing and movement. In group practice it usually starts seated, with people chanting together in a circle, the volume and intensity building as it deepens, sometimes joined by swaying, drumming, and eventually movement. The goal is a state called fana: the dissolving of the ego-self in the presence of God, which the great Sufi poets describe as the drop dissolving into the ocean.

Rumi, Jalal al-Din Muhammad Rumi (1207 to 1273), the Persian poet and mystic whose translated poetry outsells every other poet in America, was not mainly a poet. He was the founder of the Mevlevi Order, one of the most important Sufi orders in history, and his poetry poured out of a mystical life of extreme depth. His bond with the wandering dervish Shams of Tabriz, whom he met in 1244, shattered his settled world and opened him to a direct experience of divine love. That experience produced the 25,700 verses of the Masnavi, called 'the Persian Quran,' and the Divan-i Shams. Rumi's central teaching is the primacy of love, not romantic love but the cosmic love that is the very substance of divine reality, which the human heart can reach directly once it opens past the closed-off self. 'Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.'

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“Out beyond ideas of wrongdoing and rightdoing, there is a field. I'll meet you there. When the soul lies down in that grass, the world is too full to talk about. Ideas, language, even the phrase 'each other' doesn't make any sense.”

Jalal al-Din Rumi— Divan-i Shams, 13th century (Coleman Barks translation, The Essential Rumi, 1995)
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The Whirling Dervish: Sema as Sacred Practice

The sema ceremony of the Mevlevi Order, the whirling linked to Rumi's tradition, is one of the most recognizable images in world spirituality: white-robed figures spinning counterclockwise on the left foot, the right arm raised with the palm up (receiving from heaven) and the left arm lowered with the palm down (passing it to earth). The whirling is not a performance. It is a careful method for reaching the altered states linked to closeness with God. When you spin steadily, the vestibular system, the balance apparatus in your inner ear, produces neurological changes that shift how the default mode network works, quiet the brain's left-hemisphere story-making, and create what practitioners describe as being everywhere and nowhere at once. The raised right arm becomes an antenna. The lowered left becomes a ground. The dervish becomes the axis mundi, the spinning center of the cosmos. It takes years of training to do safely and meaningfully, but even short periods of slow, careful spinning in a safe space can give you a taste of what it feels like.

The Chishti Order, the leading Sufi order of India and Pakistan, whose lineage includes Moinuddin Chishti (buried in Ajmer, whose shrine draws millions of pilgrims a year), Qutb-ud-Din Bakhtiyar Kaki, and Nizamuddin Auliya, developed qawwali as its main vehicle of dhikr: devotional music performed at shrines to bring on the state of hal, an overwhelming sense of divine presence, in the listeners. The Chishti masters taught that sama (listening) was the highest form of dhikr: that the heart, opened by music played by masters in the right spirit for listeners in the right state, could receive transmissions of divine love that skip the rational mind entirely. The late Nusrat Fateh Ali Khan, the greatest qawwali singer of the 20th century, was the living proof of this tradition's power.

◆ Correspondence

The Seven Stations of the Sufi Path

Tawbah (Repentance)The turning. Not guilt but reorientation, turning away from the small self toward the divine. The start of the path.
Tawakkul (Trust)Complete reliance on God. The ego lets go of its constant need to control outcomes. What looks like surrender turns out to be freedom.
Mahabbah (Love)The heart fully open in love of the divine. Not love that wants something back, but love that loves for its own sake and cannot stop.
Fana (Annihilation)The dissolving of the separate self in the divine presence. 'I am not. There is only God.' The goal of Sufi practice, described in every major Sufi text.
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Revelation

Rumi's reed flute cries because it was cut from the reed bed, separated from its source. The cry is the music. The music is the teaching. Every human longing is the soul remembering union, and every real spiritual practice is the walk home. The Sufi tradition knows that the walk home is ecstatic.

◆ Practice

Breath Dhikr

15 minutes
  1. 1Sit comfortably, spine upright. Rest both hands on your knees, palms up. Close your eyes.
  2. 2Match a simple phrase to your breathing. On the in-breath, silently: 'La ilaha' (There is no god). On the out-breath, silently: 'illa Allah' (but God). You are not making a theological statement, you are using the rhythm as a tool. The breath is the dhikr.
  3. 3After 5 minutes, let the phrase get subtler, more inward, less deliberate. Let it fall in with your heartbeat if it wants to. The dhikr starts to do itself.
  4. 4After 10 minutes, drop the phrase entirely and just sit. Notice what kind of awareness is left when the repeating stops. This is the space the dhikr was clearing.
  5. 5Open your eyes slowly. The Sufi tradition says the effects of dhikr linger long after the formal practice ends, like a scent that stays in a cloth after the rose is taken away.
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